#and in doing it you can connect to them

[quietlyrebellious01]

*pulling out 100s of tiny little nalbinding knots to get the yarn back after a mistake*

This. This is why you are a functionally extinct art form.

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[bluerosefox]

Soulmate Across the Multiverse

A DPxDC soulmate au idea

So DCverse is a soulmate world (pick any soulmate way btw, words, touch, drawings on the skin, can't see color(s) until they see or touch them, etc etc)

DPverse doesn't.

Meaning Danny wasn't born with a soulmark BUT he gets one after becoming a halfa because he is now connected to the Infinite Realms.

SO its during another one of Vlad's schemes, he's popping into different worlds and stealing things or something like that (basically like that one ep where Danny chases Vlad through the timeline after he stole Frostbite's map)

During the chase they pop out into the DCverse in one of the hero cities (pick any, not picky on which) and their fight is getting a bit out of hand (Vlad's fault, he's using the stuff he's been stealing, and Danny is doing his best to getting innocent people from getting hurt)

ANYWAYS during the fight, one of the cities hero's come to try to help/find out whats going on when Danny is hit by Vlad and gets tossed at them. The moment they either touch or Danny/Soulmate says something to the other, Danny feels the odd mark on him burn up and is MEGA confused on whats going on but decides to do what he does best.

Ignore it for now. He'd figure it out later he still needs to stop Vlad.

He apologizes to the other hero and gets back into his fight, missing the look of complete smitten awe/shock said hero had on their face.

[one-chaotic-neautral]

Arcane ships ranked, for fun

The main ships and some rarepairs I've found, I like pretty much everything in the first 4 rows. I probably missed some but idk what they are and I'm too lazy to add more rn.

feel free to add your thoughts or ships but again its just for funsies :)

[heybiji]

[bacchuschucklefuck]

she turns, makes direct eye contact with you, smiles,

[andrewknightley]

saw someone saying something like "do you really think veilguard story would be better if you could do evil choices?" and actually yeah. i think if they let us act more like the dreadwolf on the "you are a paralellism to the dreadwolf" game, it would be more significant when the story tells you "you are a bit like him/you are nothing like him" because , thats how you chosed to play it.

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[aulerean]

postmaster pearl and her *ahem* postmaster pigeons

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[churchyaoi]

been thinking about these two a lot lately

[loves2spwge]

they just want to be one...

commissions @jolyonvane did for me where i asked if he could please please please make stan look as desperate and exhausted as he usually does but is being kept together by all his love for his sbf kyle

[jessmalia]

Dear Bonnie, I’m a coward. I should be saying this to your face, not writing this letter, but I know if I do you’ll talk me out of running away from all my problems. You’re gonna make me face a future without Elena and you’re gonna help make me the best man I could possibly be, the same way she did. And I’m absolutely terrified of failing you both. So, I’m leaving. Because I’d rather let you down once, than let you down for the rest of your life. And I hope it’s the happiest life. Because you, Bonnie Bennett, are an amazing woman, a mediocre crossword puzzle player and my best friend. 

With great love and respect, Damon.

[treef-greef]

twt req: Todofam or tdbkdk playing overcooked together

[adiradirim]

From right to left: Beya Melamed; Bulgaria, 1890 - Jewish bride after the wedding; Turkey, early 20th century - Torah ark curtain made from a woman’s dress; Izmir, Turkey, 1929 - Wedding dress belonging to a Jewish family from Edirne, Turkey; early 20th century, gifted to museum exhibition in memory of Colombe Papo

Worn in the 19th and 20th century for weddings and other occasions by women across the Balkans and Anatolia, bindallı dresses were typically made of velvet in deep jewel tones. They were decorated with extensive gold embroidery of floral designs, which give this group of dresses their name, meaning thousand branches. This Ottoman-derived yet European-influenced style marked a transitional period between uses of traditional and modern western fashions.

The dresses - adopted from the surrounding culture as a fashionable item without any Jewish specificity - took on unique Jewish meaning through their use in the synagogue, where they became ark curtains, Torah mantles and binders, bimah covers, and the like, frequently with added dedicatory inscription. The donation of dresses and trousseau items by women to the synagogues created a personal bond between the women and the synagogue. The habit of donating these textiles to the synagogue endured long after the original embroidered bedclothes and dresses had gone out of fashion, and the transitional bindallı fashion thus remained alive in Sephardi synagogues long after the passing of the brides who wore the dresses.

[casualavocados]

#he doesn't want to fight with you ai di, he wants to Kiss🙄💘🥺

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)